B.A., M.Phil, Ph.D (CUHK)
Dr. LEE Chi Kwong was graduated from the Fine Arts Department of CUHK. He worked in the Art Museum of CUHK (1989-2014) and received his doctoral degree in 2004 under the supervision of Prof. Jao Tsung-i. He is specializing in the research of Chinese painting and calligraphy. Recent publications include Su Renshan (Guangzhou, 2011), etc.
Degree Dissertation:
1. “程邃（1607–1692）繪畫研究,” M Phil dissertation, The Chinese University of Hong Kong, 1995.
2. “蔣寶齡 與《墨林今話》──關於嘉道時期江南畫壇商業化的考察,” PhD dissertation, The Chinese University of Hong Kong, 2004.
Monograph:
1. “Qingming Shanghe Tu by Qiu Ying.” In Ronald Hui ed., Qingming shanghe tu: A Fine Copy by Qiu Ying. Hong Kong: Han Mo Xuan, 2007, pp. E1–E2.
2. “黃公望的富春山水傳奇 Dwelling in the Fuchun Mountains: Legend of a Painting.” In Hui Lai-ping ed., 黃公望富春山居圖, Hong Kong: Han Mo Xuan, 2011, pp 148–155, E1–E4.
3. 蘇仁山 (217 p). 嶺南畫庫叢書. Guangzhou: Lingnan Art Press, 2011.
Academic Paper:
1. “從董其昌《瀟湘白雲圖》到「南北宗」論.” In 中國古代書畫藝術國際學術研討會論文匯編, Shenyang: Liaoning Provincial Museum, 2004, pp 371–377.
2. “學海遺珠──李克曼《叛徒、畫家、瘋子：蘇仁山的生平與作品》評介.” In 林亞傑, 朱萬章 ed., 廣東繪畫研究文集, Guangzhou: Lingnan Art Press, 2010, pp 164–173.
3. “臨摹與創造──蘇仁山對木刻版畫的利用.” In 中国近代絵画研究者国際交流会論文集, Kyoto: Kyoto National Museum, 2009, pp 87–101.
4. “羅聘《冬心先生像》與金農的佛畫因緣.” In 像應神傳──明清人物肖像畫學術研討會論文集, Macao: Macao Museum of Art, 2011, pp 268–275.
5. “從文物館藏品管窺近代香港書畫收藏的淵源──以簡氏斑園與利氏北山堂為例.” In 関西中国書画コレクションの過去と未来．国際シンポジウム論文集, Nishimiya: Kansai Research Society of Chinese Painting and Calligraphy Collection, 2012, pp 109–120.
6. “文心獨步──漸江《為中翁作山水冊》析微.” In 雲林宗脈──新安畫派學術研討會論文集, Macao: Macao Museum of Art, 2015, pp 16–23.